ENG/AFRI 340: Multicultural American Literature Fall 2009 Policy Statement
Instructor: Jake Jakaitis
Classroom: Dreiser Hall 303
Office: Root Hall A209
Meeting Time: M W F 12:00[12:50
Office Phone: 237-3269
Office Hours: 2 -3 Tu, 1-2 M W, & by arrangement
Web Page: http://isu.indstate.edu/jakaitis/
Creates the situation
And, then, the situation
Creates the imagination
It may, of course, be
The other way around;
Columbus was discovered
By what he found.
WEEK ONE, WEEK TWO, WEEK THREE, WEEK FOUR, WEEK FIVE, WEEK SIX, WEEK SEVEN, WEEK EIGHT, WEEK NINE, WEEK TEN, WEEK ELEVEN, WEEK TWELVE, WEEK THIRTEEN, WEEK FOURTEEN, WEEK FIFTEEN, WEEK SIXTEEN.
Multicultural American Literature addresses cultural diversity through the reading and discussion of writings by Chicano/a, Native American, Asian-American, and African-American authors. Content varies from semester to semester, so we do not cover each of these groups every semester. Assigned readings include poetry, drama, short fiction, novels, autobiographical essays, and aesthetic and political manifestos. Treating these artifacts as cultural texts exposes students to the similarities and differences (that is, to the cultural diversity) of the aesthetic, political, and social values and experiences of writers belonging to various ethnic and racial groups. Multicultural American Literature is a General Education course that satisfies the Multicultural Studies: U.S. Diversity [MCS:USD] requirement in the General Education 2000 Program. [GE 89 students earn C1 E2 liberal studies credit.] It is cross-listed in the English and African and African-American Studies Departments and offers credit in the Women’s Studies Program. The course is required for English teaching majors and minors, while English liberal arts majors and minors earn credit as an alternative literature elective. English majors do not earn the General Education credit for completing ENG 340.
· To provide an introduction to the breadth and quality of the literature produced by various cultural groups who have contributed to American history and culture and to encourage an appreciation of their contributions.
· To present strategies for engaging this literature within its own historical and cultural contexts and for gauging its aesthetic, cultural, political and social dimensions.
· To foreground and examine issues of race, gender, class, sexuality and nationality as they arise in these works, to consider the roles played by these issues in the establishing of our national identity, and to promote comparative analysis of the literary works and their cultural and historical contexts.
· To encourage critical sophistication and lifelong readership of different literary genres (i.e. poetry, fiction, drama, essays).
(Years in parentheses indicate dates of original publication)
Butler Octavia E. Kindred. (1979) Boston: Beacon Press, 2004. ISBN: 0-8070-8369-0
Lahiri, Jhumpa. The Namesake. (2003) New York: Houghton Mifflin, 2004. ISBN: 0-618-73396-5
Lee, Harper. To Kill A Mockingbird. (1959) New York: Warner Books, 1982. [This book is a late addition to the syllabus and has not yet been ordered.]
Morales, Aaron. From Here You Can Almost See the End of the Desert. Notre Dame: Momotombo Press, 2008. ISBN: 978-0-9797446-1-7. [This book will be purchased in class for $8.]
Silko, Leslie Marmon. Ceremony. (1977) New York: Penguin, 1986. ISBN: 0-14-008683-8
Professor's Pack available at Goetz Printing & Copy Center, 16 S. 9th St. Telephone: 232-6504.
COURSE REQUIREMENTS AND POLICIES:
Because of the course's multiple emphases described above under the heading, "Course Description," the reading and class preparation load in English 340 will be rather intense at times. While we will often read only a short work [story or novella] for a single class meeting, in some weeks we will be covering a complete novel of 300 or more pages. You will be expected to read carefully, take notes, and come to class prepared to write short answer responses to quiz questions about the assigned reading. Study questions to focus your reading will appear as links in the on-line syllabus in advance of the assignment due dates. It is your responsibility to check our web syllabus regularly, for I will sometimes withhold posting of study questions for later assignments so that I can tailor the questions to address issues and concerns raised in class discussion of previously covered works. The study questions and quizzes will sustain the expectation that you have carefully read and thought about the assigned readings and that you are prepared to participate in meaningful discussion and interpretive analysis of the assigned literary works. Familiarity with the literature will, of course, prepare you for interpretive analysis and discussion on quizzes, in the mid-term examination, in assigned papers, and on the final examination. You are responsible for all of the assigned readings, even aspects of them not discussed in class
1. Attendance and Participation (10%)
Attendance: Full attendance is expected. Because we will open some class sessions with a quiz, punctuality is crucial to your success. If you arrive late, it will be impossible to give you additional time to complete the assignment and since the class discussion following each quiz will rely on students’ responses to the quizzes, completing the work after class is not an acceptable option. If you accumulate 9 unexcused absences, you will fail this course. Of course, all absences, excused or unexcused, affect your grade because each absence reduces your quiz and participation score. If you have an excused absence for medical or other University approved reasons, it is your responsibility to make up missed work by appointment with me before the next class meeting. Attendance will account for 5% of your course grade.
Participation: Much of our time will be spent discussing the assigned readings. Exemplary performance in these activities will demonstrate that you are effectively preparing and thinking about the material and will significantly increase your attendance/participation score. After each class meeting, I will assign participation points to students who actively comment on the readings and promote meaningful discussion related to the specified goals of the course. At semester's end, I will assign you a letter grade for participation based on your accumulated point total. It is in your best interest to take notes and come to class prepared to ask questions or provoke discussion. These practices will also prepare you to perform well on the short essays and the final project. Conferences are not required but are encouraged. If you wish to meet with me but cannot attend my office hours, please arrange a conference with me at a more convenient time. If you do intend to meet with me during one of my office hours, it is best to let me know that you are coming so that I can reserve the time for you. A semester goes by rather quickly; please see me immediately if you begin having difficulty with any of the course materials. Participation will account for 5% of your course grade.
Professional Courtesy: You will be expected to behave professionally in this college classroom. Turn off cell phones before entering the room. From the moment that you enter the classroom, you should be focused on the materials and assignments in this course. Reading of newspapers or other material not directly related to work in this course will not be allowed in the classroom--neither before class has started nor during our formal class session. If you are interested in reading newspapers or other materials unrelated to this course as you wait for class to begin, do so outside the classroom. Students who behave rudely, or who have to be asked to put down newspapers or other reading materials will lose participation points. Under extreme circumstances, such students will be removed from the classroom or dropped from this course. Laptops may be used for note-taking and for review of course materials posted in our on-line syllabus or for searches during class to support our discussions. However, this privilege will be revoked for anyone using a laptop for e-mail, instant messaging, or any purpose not directly related to the ongoing class discussion. If laptop use appears to become a problem, I reserve the right to demand that an individual immediately turn the display toward me for inspection. Any student viewing material irrelevant to this course will be removed from the class.
2. 2. Quizzes (10%)
Class meetings will often open with a quiz. These short examinations will either ask you to respond briefly to a few factual questions [usually 10] about the assigned reading, or require short essay responses that analyze and interpret assigned reading. The latter responses must begin with topic sentences that directly answer the question and then supply specific story details to support the topic. [See the "Essay Quizzes" link below.] Simply quickly reading the assigned stories will not prepare you score well on these quizzes. Instead, you must actively consider study questions, literary techniques, plot structures and conflicts, thematic concerns, or the relation of the assigned reading to material presented in lectures and discussions of previously assigned works. Missed quizzes cannot be made up unless you have a medical, family emergency, or ISU program excuse. Essay Quizzes
3. Essay (20%)
You will write one 4-5 page [1,200-1,500 word], typed analytical paper on either Leslie Marmon Silko's Ceremony, Harper Lee's To Kill A Mockingbird, orOctavia Butler's Kindred. Essay topics will be distributed in advance of our discussions of the novels. The paper will be typed, double-spaced, with one inch margins on all four sides of the page. Use the standard Times New Roman 12 font size. The due date will vary depending on which novel you choose to discuss in your essay. Essays will be submitted by e-mail attachment and will be returned in the same manner. Specific instructions for essay submissions will appear in the essay assignment.
4. Mid-Term Examination (30%)
During week seven, you will write a mid-term examination including both short answer questions about concepts, terms, and assigned works discussed in class and extended responses to essay questions. This examination will be written during two class periods and will cover the readings as well as the broad issues in multicultural American literature discussed over the first six weeksof the semester. On Friday, October 2, our class meeting will be devoted to mid-term review; it is crucial that you attend this class meeting.
5. Final Examination (30%)
You will complete a final examination covering material assigned from week eight through the end of the semester. Like the mid-term, the final will include both short answer and essay components. The final will be written during our final examination class meeting on Monday, December 14, at 1:00 p.m. in Dreiser Hall 303.
6. Extra Credit
I award extra credit points for written discussions and analyses that you submit after attending any event on or off campus that addresses issues in multicultural American literature. Extra credit opportunities will be announced over the course of the semester; some of these will involve reading additional stories or novels or discussing a film adaptation of a literary work. Over the course of the semester, you may submit a maximum of 5 extra credit assignments and earn a maximum of up to 50 extra credit points for attending events or doing additional reading and film watching, and writing 2 to 3 page, double-spaced, typed analyses that directly relate your experience to multicultural themes and issues raised in this course. Typically, each extra credit submission can earn a maximum of 10 points. Occasionally, however, a longer assignment will be designated as offering up to 20 points and will count as two submissions. Submissions will be evaluated and partial credit will be awarded based on the quality of the work. I will announce upcoming events in class and invite all of you to do the same. Extra credit will be available only for events approved in advance by me. No extra credit assignments will be accepted after Monday, November 23, and I will accept no more than one extra credit submission from any student in any given week of the semester. Click here for extra credit announcements.
The following percentages are tentative guidelines and are subject to change based, for example, on the number of quizzes actually given during the semester. I reserve the right to alter assignments and percentage values as the semester progresses. If changes become necessary, I will inform the class in advance and post all changes on this site:
We will work on a 1,000 point system. In accord with the University's new grading policy, including minus final grades, the following scale will be used: 900 points or higher = A; 880 = A-; 850 = B+; 800 = B; 780 = B-; 750 = C+; 700 = C; 680 = C-; 650 = D+; 600 = D; 580 = D-; less than 580 = F.
****Retain this policy statement and all graded assignments until you receive your final grade. You will have little chance for grade review unless you are able to re-submit your graded work.
ENG 340/AFRI 340: Multicultural American Literature Fall 2009 Syllabus
[Reading assignments in the Professor’s Pack are preceded by the designation PP. The page numbers listed identify the original source pagination to provide an idea of the actual length of each reading assignment. The notation, SQ, refers to assigned Study Questions available on-line. This is a tentative reading schedule. It is your responsibility to attend class and to keep track of any changes in the schedule.]
Please check this syllabus regularly, I will frequently update with additional links and supporting information on texts and authors.
WEEK ONE: Course Introduction
8-26 (W) Course Introduction: "Mets Fumble for the Word"[Handout & PDF at course web site] SQ
DuBois Virtual University DuBois Biography
Late Registration Begins: $30 Late Registration Fee
8-28 (F) NO CLASS
WEEK TWO: What is an American?
8-31 (M) Discuss WEB DuBois, "The Concept of Race," [PP: 1] SQ "The Forethought" and "Of Our Spiritual Strivings" from DuBois'Souls of Black Folks at WEB DuBois' site.
9-1 (Tu) Last Day to Add Classes; Last Day for 100% Refund on Drops & Withdrawals
9-2 (W) “Everyday Use” by Alice Walker [PP: 2126-2133] SQ Teaching History: Black Muslims
Scheduling for Drops Only; $30 Drop/Add Fee Begins
9-4 (F) “Introduction” to A Different Mirror by Ronald Takaki: PP: 1-17; SQ Interview with Takaki
WEEK THREE: What is an American?
9-7 (M) LABOR DAY: NO CLASS
9-8 (Tu) Last Day for 75% Refund on Drops; Last Day to Drop with No Grade.
9-9 (W) "When Mr. Pirzada Came to Dine" by Jhumpa Lahiri[PP: 23-42] SQ
Bangladesh History Maps
9-11 (F) The Namesake by Jhumpa Lahiri: Chs. 1 & 2: 1-47 SQ
WEEK FOUR: First Generation American Identity
9-14 (M) The Namesake: Chs. 3 & 4: 48-96 SQ
9-15 (Tu) Last Day for 50% Refund.
9-16 (W) The Namesake: Chs. 5-7: 97-187 SQ
9-18 (F) The Namesake: Chs. 8 & 9: 188-245 SQ
Three Week Attendance Report Due
WEEK FIVE: History and Identity
9-21 (M) The Namesake: Chs. 10-12: 246-291SQ
9-22 (Tu) Last Day for 25% Refund on Drops
9-23 (W) "Tears of Autunm" by Yoshiko Uchida [PP: 202-209] Angel Island Picture Brides Angel Island PoetryNotes on Japanese Immigration
9-25 (F) "Seventeen Syllables" by Hisaye Yamamoto [PP: 8-19] SQ JACL Hiroshige Irises Hiroshige Rapids Hiroshige River
WEEK SIX: Immigration and Internment
9-28 (M) Excerpts from And Justice for All: Mary Tsukamoto, Emi Somekawa, & Tom Watanabe Hispanic Awareness Month Extra Credit
[PP: 3-15; 146-151; 95-99]; SQ; Senator Matsui [Video] Relocation Camps
9-30 (W) "The Legend of Miss Sasagawara" by Yamamoto [PP: 20-33] SQ
10-2 (F) Prepare for "Yellow Woman" Stories
Mid-Term Review Handout
WEEK SEVEN: Mid-Term Examination
10-5 (M) Mid-Term Identification and Short Answer International Crime, Media & Popular Studies Conference
10-7 (W) Mid-Term Essay Question
10-9 (F) FALL BREAK: NO CLASS; ESSAY ASSIGNMENTS
WEEK EIGHT: Legend, Gender, Identity
10-12 (M) Yellow Women Stories: Cochiti and Laguna Pueblo [PP: 210-218]
“Yellow Woman” by Leslie Marmon Silko [PP: 219-228] SQ Interview with Silko
Visit La llorona web site [lallorona.com] Multicultural Virgin Mary Photos
10-14 (W) “Woman Hollering Creek” by Sandra Cisneros [PP: 596-605] SQ
Suggested Reading: "I Throw Punches for My Race, but I don't Want to be a Man"
10-16 (F) "Flashflood" by Aaron Morales in From Here You Can Almost See the End of the Desert: 10-27; Video Excerpts from In the White Man's Image
WEEK NINE: Native American Narrative Traditions
10-19 (M) Ceremony by Leslie Marmon Silko: 1-62 [For each Ceremony assignment, stop at the obvious gap on the page.]
Mid-Term Grades Due
10-21 (W) Ceremony by Leslie Marmon Silko: 62-93 Navajo Cow Weaving Navajo 19th Century Weaving
Laguna Pueblo Photos
10-23 (F) Ceremony by Leslie Marmon Silko: 93-153
WEEK TEN: Native American Narrative Traditions
10-26 (M) Ceremony by Leslie Marmon Silko: 154-216
10-28 (W) Ceremony by Leslie Marmon Silko: 216-262
10-30 (F) Ceremony by Leslie Marmon Silko: Discuss unresolved issues; Video Excerpt from The Treasure of the Sierra Madre (1948)
WEEK ELEVEN: Chicano Identity
11-2 (M) I Don't Have to Show You No Stinking Badges by Luis Valdez [PP: 156-214]
11-3 (Tu) Last Day to Drop Classes--No Petitions for Exception--GRADE OF DP OR DF REQUIRED; Last Day to Withdraw with No Grades.
11-4 (W) "Easter Sunday" and "Real Man Stuff" by Morales in From Here You Can Almost See the End of the Desert: 29-47
11-6 (F) Visit with Aaron Moralesto Discuss his Work
WEEK TWELVE: Education, Race, & Gender
11-9 (M) To Kill A Mockingbird by Harper Lee: Chapters 1-9. pp. 3-89. See the essay assignment for study questions about the novel.
11-11 (W) To Kill A Mockingbird by Harper Lee : Chapters 10-18, pp. 89-189.
11-13 (F) To Kill A Mockingbird by Harper Lee: Chapters 19-31, pp. 190-281.
WEEK THIRTEEN: Slavery and African-American Narrative Traditions
11-16 (M) "Sonny's Blues" by James Baldwin [PP: 46-68] SQ Motifs in "Sonny's Blues"; Baldwin's "Letter to My Nephew"PDF
11-18 (W) Kindred by Octavia Butler ["Prologue" & "The River": 9-17]; Kindred "Reader's Guide ["Discussion Questions": 285-287]
11-20 (F) Kindred by Octavia Butler ["The Fire": 18-51]
WEEK FOURTEEN: Slavery and African-American Narrative Traditions
11-23 (M) Kindred by Octavia Butler ["The Fall": 52-107]
11-25 (W) THANKSGIVING BREAKaNO CLASS
11-27 (F) THANKSGIVING BREAKaNO CLASS
WEEK FIFTEEN: Kindred Continued
11-30 (M) Kindred by Octavia Butler ["The Fight": 108-189]
12-2 (W) Kindred by Octavia Butler ["The Storm": 189-239]
12-4 (F) Kindred by Octavia Butler ["The Rope" & "Epilogue": 240-264]; Kindred "Reader's Guide" [265-284] Final Extra Credit Opportunity
WEEK SIXTEEN: Final Things
STUDY WEEK (NO EXAMS MAY BE SCHEDULED)
12-7 (M) "Interpreter of Maladies" by Jhumpa Lahiri: PP: 43-69 SQ
12-9 (W) A Moving Day" by Susan Nunes [PP: 130-137] SQ QUIZ
12-11 (F) Final Examination Discussion and Review
FINAL EXAM WEEK: DECEMBER 14 (M) TO DECEMBER 18 (F)
OUR FINAL EXAMINATION IS ON MONDAY, DECEMBER 14 @ 1:00 p.m. in Dreiser Hall 303
[Attendance at the final examination period is mandatory.]
By Kevin Hart
A recent Time magazine poll asked members of the public how they felt about teacher tenure. And, in the course of a 26-word question, Time managed to perpetuate three myths that educators say are contributing to the public’s misunderstanding over what tenure is — and what it’s not.
Specifically, Time asked, “Do you support or oppose tenure for teachers, the practice of guaranteeing teachers lifetime job security after they have worked for a certain amount of time?”
Educators say the September 20 issue of Time magazine perpetuated myths about tenure and other education issues.
The problem is, tenure does not guarantee teachers a job, does not offer any lifetime employment security, and, regardless of the implication of Time’s question, does not just happen after a “certain amount of time.”
Educators participating in a recent discussion on NEA Today’s Facebook page said that these three tenure myths are prevalent among the media and the general public, and are distractions in the debate on how to improve America’s public schools.
The notion that tenure is a guaranteed job for life must have come as a shock for Lancaster, Calif., teacher Carolyn Heia Brown, who said that she received tenure and was laid off in the same month.
If you thought tenured teachers couldn’t lose their jobs, you’re not alone — it’s a common misunderstanding, but that doesn’t make it accurate. Tenure does not guarantee teachers a job, but instead mandates that due process be followed before tenured teachers are dismissed.
The reason is simple enough, said Alabama educator Shannon Keith Ginn, who calls tenure a “measure of protection against personal vendettas and personality conflicts.”
After all, qualified, effective educators who are benefiting students and raising student achievement should not be removed from the classroom because of political disagreements with an administrator — or because the sibling of a local, influential figure wants a job.
And teachers who receive tenure often endure a marathon process before it is granted. At most jobs outside the field of education, a newly hired employee may be considered probationary for six months, or even a year.
When teachers are hired, it is common for them to serve as untenured, probationary employees for three or four years. At this point they can be — and often are — dismissed for any reason whatsoever. That time period also gives school administrators an extended opportunity to evaluate a teacher before determining whether or not the school district, at its discretion, should grant the teacher tenure.
“When explaining tenure, I first make sure to emphasize that tenure is earned, not just handed out to every teacher who walks through the door,” said Illinois teacher Chris Janotta. “Where I work, for instance, a teacher becomes tenured after four probationary years. I explain that the administration has the power to let a teacher go for any reason during these four years. Period.”
Much of the public debate over tenure has focused on whether it is possible to fire tenured teachers who are no longer making the grade. The fact is, contracts between unions and school districts in no way forbid the firing of tenured teachers.
Janotta said he has personally seen two tenured teachers with 20 years of experience let go because of performance issues.
“Did proper steps need to be taken before these teachers were terminated? Of course,” he said. “Were these steps so overwhelming that administration decided it wasn’t worth proceeding with them? Obviously not, or those teachers would still have their jobs.”
Tenure is about due process — not about guaranteeing jobs for life. And it’s not about protecting “bad” teachers — it’s about protecting good teachers.
The typical tenure agreement lays out steps and documentation necessary for dismissing a tenured teacher. Many private corporations also have termination processes and documentation requirements that managers must follow before firing an employee.
Determining which teachers are making the grade depends on a thorough and rigorous evaluation process, and many teachers complain that the evaluation systems at their schools are not functioning. Teachers say they are not evaluated enough, the criteria are murky, and sometimes they receive conflicting evaluations from different administrators.
So why is there so much attention being paid to issues like tenure? Meg Gruber, a teacher from Virginia, believes the issue is largely being driven and pitched to the media by anti-union individuals and organizations. Kelle Stewart, an elementary school teacher from Tennessee, said the heavy focus on tenure keeps the education debate from focusing on real issues that significantly affect public schools.
“Tenure is a red herring that really has nothing at all to do with the problems our schools are facing,“ she said. “I think all the attention paid to tenure should be refocused on NCLB which is hurting us far more.”